Nanette Acosta, Humphries’ supervisor, works as an assistant professor of practice and costume production director in the Department of Theatre and Dance. She says Humphries knows how to address the needs of both graduate and undergraduate students. 

“She’s able to talk to (graduate students) in a one-to-one way and not approach (them) as if she’s the boss,” Acosta says. “With the undergraduate students, she’s very kind and reassuring and takes on a great educator role in the way of teaching them new skills.”

The most meaningful part of Humphries’ job at UT is receiving additional costume design education while being able to mentor students, she says. Though she enjoys the educator role, Humphries says, she prefers being a confidant and adviser to students while they all learn together. 

“I went to college for a very long time, so it’s not too long ago that I remember being very stressed out,” Humphries says. “Sometimes it’s mitigating feelings, reminding (students that) ‘It’s OK if (the design process) doesn’t go exactly how you want.’ There’s always a solution.” 

Humphries’ hardworking, compassionate and fun nature translates to her job as a freelance costume designer. Her freelance work entails a level of detail that helps actors fully transform into their characters. 

Her costumes come to life off campus in shows such as “Annie Jump and the Library of Heaven” at The Vortex repertory theater, “Dot” at Ground Floor Theatre, “Rap Unzel” at the Austin Scottish Rite Theater, “Spunk” by the Spectrum Theatre Company, and “A War of the Worlds” by the Penfold Theatre Company.

Lisa Scheps, co-artistic director of the Ground Floor Theatre, says Humphries puts love and care into the design process. Her costumes inspire directors to put their best foot forward too, Scheps says. 

“(Humphries) is someone who brings her own goodness to (costume design),” she says. “She has an incredible work ethic and is always very pleasant.” 

Shows such as “Rap Unzel” provided Humphries with an opportunity to craft costumes for Black children in theater. The play, written by Jeremy Rashad Brown and Deanna Belardinelli, reimagined the fairy-tale princess Rapunzel as a Black boy who embraces his natural hair and true identity. 

“It was a blast to do little things like take an African print, put puff paint on it, and make these little designs pop out and look like a pic, comb and an afro,” Humphries says. 

Inclusion and diversity are guiding intentions for her as she advances in her career. Humphries says she is considering attending graduate school for costuming or illustration and animation — both could provide an opportunity to continue storytelling, as well as to design for film and television. 

The middle school girl who obsessively drew Satine’s red dress would be amazed to know that the adult version of herself is doing exactly what she dreamt of, she says.

“I feel very lucky to be able to think back on that little girl,” Humphries says. “If she was in front of me, she’d probably be really proud.”